Why I stick to wearing $10 watches

I am always leaving my watch inside pianos and sometimes my watch will have disappeared. Now I know why!

[Youtube via The Collaborative Piano Blog]

In case you’re wondering what all those pieces were supposed to sound like

Each of the five pieces from this post in their original forms. Just in case you thought that perhaps Chopin was the Thelonious Monk of the mid-1800s. And before anybody says anything, yes, lots of instruments play Monti’s version of a Czardas and most of them with the piano, but a Czardas (Csárdás) is really a gypsy violin thing and I like it that way.

Beauty pageants are full of musical talent

Some of these regularly make the internet rounds and some aren’t necessarily the worst, but all are still hilarious to snooty trained musicians. From a girl playing both clarinet AND piano (admittedly not terribly, but it was creative enough to elicit a giggle) to Sarah Palin to my most favorite Chopin performance OF ALL TIME, enjoy the videos below. Now, if you’ll excuse me, I have to tell my own clarinet player that I don’t need him anymore. Collaborative piano includes self-collaboration, right?

Schools are actually closed in Rochester

I guess 18 inches of snow will do that.

 


Lake effect snow in Rochester [YouTube]

Flash needs to die

If only I were clever enough to write this bit on trying to visit a local restaurant’s website:

Website: Oh! Hi! What can I help you with today?
Me: What are your —
Website: Hang on, I’m loading the music.
Me: Really.
Website: You’ll love it. It’s “Girl from Ipanema” arranged for steel drum and keytar.
Me: No, you don’t have to —
Website: Loading…
Me: All I want is —
Website: I SAID DOT DOT DOT.

A conversation I have every month or so [venomous porridge]

Review: Yamaha AvantGrand N3

That’s right, I bought a $15,000 instrument. Because that’s how I roll. Here’s a little bit of backstory, some pictures, and my thoughts.

Yamaha AvantGrand N3

I’ve had a Technics SX-PR303 since 1995 and I still love it. Weighted touch sensitive keys, sounds galore, easy multi-track recording – I’ve used and abused the thing. It’s gone with me to gigs in Virginia Beach, in and out of several apartments in Richmond, and in both of my apartments here in Rochester. It’s dealt with me playing crappy musical numbers, singing while playing, and shoddily realizing figured bass without a word of judgment. But finally, the time had come to replace it. The damper pedal was going in and out and I just couldn’t do the level of practicing that I needed to do on it anymore.

In November, Vivian sent me this Slate article on this “digital hybrid” piano that Yamaha was touting. Besides the fact that it name-checked Donald in Mathmagic Land and compared the Tactile Response System to an N64 Rumble Pak (sure ways to get me excited), I found myself thinking, “why haven’t all digital pianos been like this before?” And you know how it is, when something seems so revolutionary yet totally obvious, it just has to be a good thing.

Fast forward to the Eastman Wind Ensemble’s performance at the Midwest Clinic in Chicago. I was fortunate enough to get to go along as a performer, photographer, and student-wrangler (more on that in another post), and lo and behold, there was a Yamaha AvantGrand N3 in the exhibit hall. Admittedly, it was very difficult to hear in that crowded conference room, with everybody else trying all sorts of band instruments, but I fell in love. I dragged everybody over to try it out, and started thinking about how I could justify spending that kind of money on a digital instrument.

Trying the AvantGrand N3

Some justification (Adrian’s clarinets are also valued at about $15k, I am still a musician even if I make more money as a web developer/designer), phone calls, and measurements later, I bought it. It was just meant to be. Turns out that, while there were no dealers in the entirety of NYS, the Piano and Organ Warehouse next to my father’s house had one in stock and was willing to sell it to me for $14,495 with no tax because I am no longer a VA resident. My father was unbelievably supportive throughout the whole process and went not once, but THREE separate times to measure the instrument to be absolutely sure that it would fit in his minivan so that I wouldn’t have to rent a truck or pay for movers. He found some friends to help get the piano into the van and let me keep it for a week and half while I recovered enough to make the long drive back down (made even longer by one of the VA snowstorms). Anyway, when I got back up to Rochester, a couple of percussionist friends and Adrian helped me move it upstairs, reattach the legs, and get it into place. So here it sits in our living room, beautiful and loved:

AvantGrand N3

I’ve been doing quite a bit of practicing on it, as I have committed myself to a very musical semester. I’ve been working on: Brahms – E-Flat Clarinet Sonata (finally), Bruch – 8 Pieces for Clarinet, Viola/Cello, and Piano, Schwantner – Percussion Concerto (2 piano reduction), Bach-Busoni – Chaconne, John Adams – Chairman Dances, and a whole host of church music and other smaller things. Basically, I’ve really gotten a feel for this piano and how it helps me learn all sorts of styles of music, in addition to just how great it feels to be able to just practice when the mood strikes and be able to do more last minute learning (happens a lot in church). I wouldn’t call it an acoustic piano killer, but I think it has great potential as a practice instrument and even in places like churches where extended techniques aren’t necessary on the piano. Sadly, I won’t be playing Berg’s Vier Stücke on this thing.

Finally, my (former) professor, Dr. Jean Barr, came over for coffee and a little piano playing a few weeks ago and was very impressed by the touch, feel, and pedaling. And that, my friends, is enough to never make me question this purchase, ever.

The rundown:

Pros:

  • Having a grand piano action = constructive practicing
  • The tactile feedback and half pedal effects = even more constructive practicing
  • The artist bench feels goooooood and gets high enough even for high sitters (such as myself)
  • Having a real grand piano action with Ivorite keys and that little snap at the bottom of the key allow me to forget that I’m playing on something digital
  • Doesn’t need tuning or regular maintenance
  • Volume control or headphones are perfect for apartment or small space living
  • Light and small enough to move around without professionals (still hefty, though)
  • Full and short stick for the full-weight lid allow for realistic collaborative rehearsals
  • 12 speakers definitely make for a surrounding playing experience
  • While you don’t get the unique feel of a harpsichord just by changing to its sound (nor would I expect to, digital harpsichords exist as separate entities), the sound is actually eerily accurate, down to the release twang.

Cons:

  • Some notes are suspect in terms of tuning and can’t be individually changed (as far as I know)
  • Sometimes will run into the boundary of the max polyphony (256 voices) – rare, but annoying when it does happen
  • Soft pedal does not shift the keyboard, I guess because it doesn’t need to (but considering the rest of the details, I’d like to have seen that one)
  • Not useful for new music involving interaction of dampened strings with other sounds (other notes/instruments) or prepared piano
  • Setting options is not at all intuitive – could use a better display than just 2 calculator-style blocks, especially given the price

Control panel

If you want more details about the instrument (including more talk about how it looks and all that, since I clearly didn’t end up writing a whole lot in that arena), here are a few links:

We’re famous!

Well, if not famous, at least I’m finally on the Collaborative Piano Blog for more than just being their designer / web help. It’s me and Adrian playing the last movement of the Gabaye Sonatine for his MM recital at DePaul in May 2007.

The lives of my future children

They really exist (at least in Asian supermarkets)

I hope you’ve heard of these before, or else you’re probably thinking I’m either very gross or very childish.

One week later… (awesome story inside, I promise)

This morning I had an evaluation for LASIK at the just-renamed Flaum Eye Institute (formerly StrongVision). I’m not a good candidate for that quick-heal LASIK most people talk about, but I am going to have an equivalent laser surgery called PRK done NEXT TUESDAY. I have now had a total of four surgeries – I don’t hesitate when it comes to scheduling anymore. I am totally worried about how I will function for the coming onslaught of rehearsals and performances, but if it’s the equivalent of a dirty contact (as I was told), I can deal, and have done so in my brief contact-wearing past. I love my current pair of glasses, but $500 every couple of years for the rest of my life? No, thank you.

Then in the afternoon, I went to Greece Town Court re: a speeding ticket. I have not had a traffic ticket in almost 4 years, so I am irritated, but that’s what I get for driving tired in a new place. Anyway, turns out I didn’t even have to be there after all because you can plead by mail, which was mildly annoying but also reminded me of the following story:

If you knew me in high school, you know that I had my license suspended twice for speeding tickets. Virginia is super harsh about tickets you get when you’re under 18: 1 = traffic class, 2 = 3 mo. suspension, 3 = 1 year suspension, and who knows what comes after that – I didn’t try to find out. Anyway, the reason why I had my license completely suspended instead of a provisional for school/work was because my father couldn’t ever come to court with me and, as a minor, I couldn’t go alone. So, I always pled guilty and paid for my tickets straight up, no court involved. Then, one time I paid my ticket and so, of course, didn’t go to the scheduled court date. A month later, BAM: a court summons for being “in contempt” with the threat of ARREST. Apparently for whatever reason, I had to go to court EVEN THOUGH I paid my ticket and nobody thought they should let me know. In addition to that being an incredibly frightening experience, I also had the great pleasure of having my father receive the summons first and assume that I was in trouble for DOING DRUGS.

In case you didn’t know, I’ve never even so much as smoked a freaking cigarette. Sigh.

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